This track would find a fitting use in a modern mobile racing or platform style video game that features a light, sunny atmosphere.
There are randomized notes speckled throughout the soundtrack that represent floating embers, or digital binary code, which inspired the track’s name. The instrumentation is solely 8-bit/chiptune and was composed with YMCK’s Magical 8-bit synthesizer.
The music aims to emulate an orchestra and emits a distinct, worldly style, most resembling music of the Middle East. This soundtrack is heavily layered and heavy in context. It suit a dark, or intense, atmosphere.
This short soundtrack could be used as the intro/outro to a video game related show or podcast, or to denote an achievement in a video game.
This soundtrack resembles music from the original Nintendo Entertainment System, more specifically, from the the Mega Man series. This would be a great underscore for any retro game that embodies 8-bit graphics and an adventurous landscape.
It’s the perfect accompaniment for a traditional magic show atmosphere set in the late 19th century to the early 20th century. Think Houdini…
“Like A Boss” is an intensely driven soundtrack featuring heavy rock drums, gated synths, distorted electric guitars, arpeggios, and dub elements. It may serve a number of purposes, including underscore in a sports commercial or as boss battle music in a video game.
“The Dreamer” is an electronic music piece featuring layered motifs presented in staccato riffs and arpeggios. The instrumentation consists of various synths that paint a dreamy atmosphere. This track is the ideal music bed for a spacey video games, such as a shooter like Gradius.
This loop could be used in a film, video game, audiobook, or other production. It will definitely add tension while still sitting in the background as an underscore.
